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1 |
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The Lamb Lies Down on Broadway |
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4:55 |
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2 |
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Fly on a Windshield |
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2:47 |
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3 |
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Broadway Melody of 1974 |
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1:58 |
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4 |
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Cuckoo Cocoon |
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2:14 |
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5 |
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In the Cage |
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8:15 |
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6 |
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The Grand Parade of Lifeless Packaging |
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2:45 |
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7 |
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Back in N.Y.C. |
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5:49 |
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8 |
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Hairless Heart |
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2:25 |
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9 |
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Counting out Time |
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3:45 |
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10 |
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The Carpet Crawlers |
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5:16 |
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11 |
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The Chamber of 32 Doors |
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5:40 |
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12 |
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Lilywhite Lilith |
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2:40 |
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13 |
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The Waiting Room |
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5:28 |
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14 |
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Anyway |
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3:18 |
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15 |
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The Supernatural Anaesthetist |
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2:50 |
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16 |
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The Lamia |
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6:57 |
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17 |
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Silent Sorrow in Empty Boats |
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3:06 |
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18 |
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The Colony of Slippermen: The Arrival/A Visit to the Doktor/The Raven |
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8:14 |
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19 |
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Ravine |
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2:05 |
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20 |
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The Light Dies Down on Broadway |
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3:32 |
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21 |
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Riding the Scree |
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3:56 |
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22 |
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In the Rapids |
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2:24 |
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23 |
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It |
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4:58 |
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Автор обзора: Stephen Thomas Erlewine |
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Given all the overt literary references of Selling England by the Pound, along with their taste for epic suites such as "Supper's Ready," it was only a matter of time before Genesis attempted a full-fledged concept album, and 1974's The Lamb Lies Down on Broadway was a massive rock opera: the winding, wielding story of a Puerto Rican hustler name Rael making his way in New York City. Peter Gabriel made some tentative moves toward developing this story into a movie with William Friedkin but it never took off, perhaps it's just as well; even with the lengthy libretto included with the album, the story never makes sense. But just because the story is rather impenetrable doesn't mean that the album is as well, because it is a forceful, imaginative piece of work that showcases the original Genesis lineup at a peak. Even if the story is rather hard to piece together, the album is set up in a remarkable fashion, with the first LP being devoted to pop-oriented rock songs and the second being largely devoted to instru
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